Steven 'Sharpteeth' Durante (
fingersandteeth) wrote in
silph_co2020-04-02 07:11 pm
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if we can call them friends then we can call them on their telephones
Who: Steven Durante + the other Rockets
Where: Various places in Goldenrod City + over poke-Skype
When: Late March/Early April
Summary: Steven has a few emotional conversations with his co-workers
Rating: PG-13, with the inevitable likeliness of some threads going up to R in terms of language and conversational subjects.Anything too wicked goes to an inbox.
[This is a catchall post for various inter-Rocket threads with Steven taking place at the end of March/first half of April, with the starters for those threads in their own comments inside.]
Where: Various places in Goldenrod City + over poke-Skype
When: Late March/Early April
Summary: Steven has a few emotional conversations with his co-workers
Rating: PG-13, with the inevitable likeliness of some threads going up to R in terms of language and conversational subjects.
[This is a catchall post for various inter-Rocket threads with Steven taking place at the end of March/first half of April, with the starters for those threads in their own comments inside.]
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He crosses his arms over his chest, very purposefully refrains from scowling--but his tone and demeanour are still about as forgiving as sandpaper.
"I said," he begins--and when Dirk slows down like that, both his clipped enunciation and his drawl get stronger.
"Do you for one second think I feel fucking sorry I made her cry."
It's a yes or no question, Steven.
He can't make a choice-based UI function to narrow it down for you so you'll have to figure it out yourself. But then, usually they call it a brain.
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Or was.
"But enough about that," he uncrosses his arms, waving his left hand to the side as though closing a window on a particularly sci-fi invisible touch screen.
"I'm already 'functional.' I'm getting loads of work done, in fact. I mean, look at this thing. The percentage of this project I can call complete is ticking upwards of 90%. Whether or not I'm feeling sociable is irrelevant, especially right now everyone wants to crawl up my asshole and die there."
Now his scowl returns.
"If, however, this is about me being human, I don't know that was ever the case. Maybe in a nominal sense, but now?"
He doesn't wait for Steven to answer before shutting any attempt to answer down.
"It doesn't matter."
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Well. It's not like Steven is unfamiliar with the sensation of feeling cut-off from humanity, even before El Pecador's basement. Of feeling other, alien, a monster. He's always had some idea of what's inside him, after all.
He sighs. "Fine. Whatever. Just-- you're not a robot, Dirk."
Sorry for delay.... rough brain week (ironic?)
Historically, the point of comparison between Dirk and his robots, or any robot, has been a bit loaded. Not unlike a gun. Not to mention a bit contentious.
Steven stopped reading long before he would know any of it.
"I'm the machinist."
Re: Sorry for delay.... rough brain week (ironic?)
No. Wait. Focus, Steven Durante.
"Look. I don't know if that's your way of saying your flesh is merely a vessel or not. But you know. It's the only one you've got here. Eat. Drink your warm soda."
Cuts out like 1/3 of this tag to let poor Steven speak
The very idea of a smuppet that is anything but 100% pornographically provocative plush pal--all perky posterior and friendly facial phallus--is offensive, that's what it is. It's offensive.
He does, however, swipe the plate and actually take a moment to just savour the smell. Which might or might not be a moment to recompose himself after that mental digression. Which was itself only a distraction while he worked around the the other thing.
Before he puts the first bite in his mouth, he has to issue a correction.
"The body is one of many vessels. The flesh is a material limitation." He raises the spoon.
"Not all of those are physical."
Now he eats.
But while he chews, his mental gears are still turning, still thinking about flesh and plush and vessels and puppets. It's less stringent when he speaks again. Clarifying.
But the expression around his shades remains harsh.
"Consciousness is also a vessel. Perception is a limitation on consciousness. There are others."
thank dirk. thirk.
Is he... is he indulging you in your bullshit, Dirk, and actually listening to you expound about this shit?
He is. Will you look at that.
This tag is purposefully confusing sorry Steven
He's thinking out loud. He can hear it, and he stops abruptly and returns to inhaling the food with a renewed intensity. He doesn't actually finish the thought until he's thoroughly tracked down every last scrap of egg, sopped it up with rice, and eaten it.
"Me saying it won't hold water--not unless something changes in a big way," he concludes at long last. It comes out grim, and there's a truth to that, one that leaves a sour taste in his throat.
"I'm... cut off." He hates the way it sounds coming out of his mouth, hates the way it feels to say it, hates the dull feeling of his thoughts as they run up against an invisible wall, the emptiness of where more should be. The other emptiness, vast and silent, where the words should have been. And his words, and so his Word.
This is why any list he made off the cuff would be incomplete. Missing that essential element of canonocity. He cannot know, or say, and so his heap of ideas, however finely assembled, would only ever be just that. And so too would it be ever haunted by the ghost of more.
IT'S FINE
"What are you cut off from?" he asks quietly.
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That question was rhetorical.
"I already knew saying it directly like that wouldn't help you understand. I'm getting there." He takes a sip off the top of his strictly lukewarm orange soda in a way that's generally a bit pensive but looks, sincerely, like he's having a sulk.
"Or what's there to get, anyway." He chews on the scar issue on his upper lip a moment.
"What that means is... I'm not all here. Emphasis on 'here.' And I don't think I ever was."
The way he says it is perceived, internally, as grave, if not outright ominous. And that's what his tone attempts to deliver.
It's an excruciating revelation, felt so deeply and on so many more levels than he can comfortably cover in one go, or even uncomfortably cover, period, that it's all he's been thinking about for days.
Which has a lot to do with the mood he's been in since before Steven arrived.
"So when I tell you that me saying something doesn't hold water, that goes both ways. I can't make it so, and I can't fucking know it either. Not canonically."
Not in any way that matters.
"I'm making mistakes. Getting mixed up with myself."
He regards Steven for a moment, with stunning ambivalence.
"Don't take my word for anything."
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"Dirk?" he asks, frowning slightly. "How much of the story of your world are you used to affecting?"
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He takes a breath, like a reverse sigh--and with the sentiment behind it equally opposed.
"Hussie ended the story when the game did. But canon demands more than truth. It demands relevance and essentiality. Without me, we'd have been the collective victims of entropy, decaying from relevance into inanity."
Dirk studies the contents of his plate. If he's trying to divine an answer out of the remaining clusters of rice, now pushed into messy little piles, it's not going very well.
"Affecting. Huh. Real flaccid word there. Could I tell you that every page is soaked in me, every repetitive little minor detail saturated with the taint of my germinescent goo, my narrative omnipresence? Could I say I'm the gestalt force by which the story exists at all? Yeah. I could say all of that. So taking full authorial control? That's every bit as inevitable as anything else that ever happened, or ever will."
........
"Canonically speaking."
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The real body of his work.... the real purpose behind every plan he had set in motion, every piece he had played, every role he'd scripted, all of it. He hadn't even started.
And--
"I don't really want to talk about it. Not that it isn't fascinating stuff. Storycraft. The rehabilitation of canon. One man's struggle between the power of choice and the inevitability of the ultimate self. Just a bit hard to get into the telling of a story I can't fucking tell."
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He frowns a little, before adding, "You and Tyler ought to talk. I think he's shaped the narrative too, albeit on a smaller scale." It's what Tyler's kith did, after all. Steve knew that much.
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*It was not fun. It was fucking stupid. Sure, he knew he was engineering his own downfall in the long term, and his victory was pretty satisfying, but she also made herself a real fucking nuisance along the way.
He scraps that train of thought and refocuses.
"Tyler? What does Tyler know?"
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I have an icon wip that would be perfect for this tag but the commission isn't done
But no one knows that hope is a four letter word better than Dirk Strider. It's a falsehood, and one he
wasdeserted by years ago--so it's with more scepticism than anything that he asks:"Can he do that here?"
WHOOPS
Also I missed a strikethrough last tag!! I'm really batting 100 over here
"I should have known--I should have put it together after that weekend."
He hates how obvious it is. How clear it would have been if he'd been paying attention. He's a pathetic, deplorable idiot not to have seen it. Abject piece of shit.
"It was right there--right in fucking front of me. No. Not even that. I chalked it up to narrative high and the void it left, but that wasn't it. Did I change after? Was I--nevermind. You wouldn't know. It doesn't matter, anyway." A pause.
"I know I said don't fucking trust me, and I mean it. I'm not all here."
Dirk's expression doesn't change, even as he swerves hard back to Steven's intended point, like what he was just saying didn't happen.
"But on that weekend? There's basically nothing I can't do, or know, except how to fucking leave. John still owes me a favour, but we tested him out and he can't leave either--that doesn't mean anything to you, but trust me when I say there's some real hinky shit going on."
I MEAN I TYPED ' PULL OF' INSTEAD OF 'PULL OFF'
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"I should probably warn him, and you, that the 'story' is part of the problem. I've been reliably informed I sound 'four or five magnitudes more insane than I usually do' if I explain in any detail how I know. It's there, I've got as much control over it as I ever do, but it's not connected to anything. The whole story just isn't fucking there. It's a hundred disconnected stories that merge when they interact and then divide again. And I don't know if it's just that weekend, but I don't think it is."
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"It's, shit, a Heinlein thing. Basically the idea is that the act of creating a story creates a world as well--that that's how worlds are created. Which implies that every world is just a story in someone else's world. We just might not be the main characters. And, you know, I think this place pretty well serves as evidence in favor of World as Myth."
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steven never did ljrp or dwrp so at least he can't suggest those... MUDs/MUCKs/MUSHes however...
[Dirk Hated That]
Re: [Dirk Hated That]
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cw speaking of smuppets I GUESS
THERE'S ONLY A ONE LETTER DIFFERENCE
GOD IT'S TRUE
SMUPPET THE SHUPPET?